#the stream was amazing but WHY

[cupidl0vesy0u]

ONE HAPPY ENDING ONE- IS IT THAT HARD ?!

why do Minecraft servers do this to me-

[roseandgold137]

Jack Drake accidentally recording Bruce without the cowl wrestling Killer Croc while live-streaming his fishing trip to his seventeen YouTube followers

[moonlight-pies]

Hello hello! 🩷🍭

I haven’t posted anything on here for almost a month, so here are some random DRDT related stuff that I made to make up for it!

(I’m making some art for Halloween, will HOPE to finish it before it comes around)

[anon55mystery]

🤛Stand With Animation🤜

LET'S WORK TOGETHER & STOP THEM FROM ERASING OUR AND TODAY'S CHILDHOOD!!!!!

THE ANIMATED SHOWS of the 2010's to the 2020's OF CARTOON NETWORK (The all I could find at least)

Adventure Time (Pendleton Ward)

Regular Show (J. G. Quintel)

The Amazing World Of Gumball (Benjamin Bocquelet)

Sym Bionic Titan (Genndy Tartakovsky)

Generator Rex (Joe Casey)

Long Live The Royals (Sean Szeles)

Amethyst, Princess Of Gemworld (Brianne Drouhard)

Ben Ten Ultimate Alien & Ben Ten Omniverse (Joe Casey)

Uncle Grandpa (Peter Browngardt)

Secret Mountain Fort Awesome (Peter Browngardt)

Mighty Magiswords (Kyle Carrozza)

We Bare Bears (Daniel Chong)

Clarence (Spencer Rothbell)

Over The Garden Wall (Patrick McHale)

Apple and Onion (George Gendi)

Craig Of The Creek (Matt Burnett and Ben Levin)

Summer Camp Island (Julia Pott)

Victor And Valentino (Diego Molano)

Mao Mao Heroes Of Pure Heart (Parker Simmons)

OK K.O.! Let's Be Heroes (Ian Jones-Quartey)

Villainous (Alan Ituriel)

The Fungies! (Stephen P. Neary)

Tig N' Seek (Myke Chilian)

Elliot From Earth (Guillaume Cassuto)

Infinity Train (Owen Dennis)

Steven Universe & Steven Universe Future (Rebecca Sugar)

90's/ 2000's/ 2010's to 2020's

AGAIN!!! DON'T LET WBD AND DAVID ZASLAV CONTINUING TO KEEP REMOVING OUR CHILDHOOD AND TODAY'S CHILDHOOD GENERATION!!! THESE CREATORS DIDN'T NEED AN AI TO MAKE THEIR ANIMATED SHOWS, THEY MADE THEIR SHOWS FUN IN THEIR OWN WAY!!!

[theodoraflowerday]

ok so im seeing quite a bit of upset people over the changes to the ferris wheel scene, and while i understand why people are upset (because like, duh, we all want ace tori and pan michael), i think from the show's perspective it makes a LOT of sense and i liked the change:

one, because it gave good closure to tori's storyline of the season: she is allowed to have close relationships with people who aren't her brother. I think she'd been so worried about charlie that she needed him to remind her that she's her own person and she doesn't have to neglect her own life for his sake. and also I think because she was SO focused on charlie she genuinely thought the lack of "feelings" she was experiencing were entirely because of her stress over the charlie situation and now that he's finally given her the "out" (as a manner of speaking) she can actually think about her life and her feelings for michael for what they are instead of through the lens of a worried sister. so I think it was necessary for her character development.

two, because the events of solitaire did not happen in the show while in the comics michael is already an established character and we know him, in the show he's been there for approximately 5 scenes. so of course he's not going to show up as a fully realized character. remember in the comics how tori is like "surprised neither you nor nick have noticed, bro's kinda obnoxious (affectionate) about it"? yeah well he's interacted with nick once and charlie like three times on screen. and also, he and tori just MET on the show. and this season was also a little busy with darcy, isaac and imogen going on their own sexuality and gender journeys so in my opinion, dropping a michael reveal in the ferris wheel scene would've felt kinda shoehorned (especially because it wouldn't even be michael saying that to charlie, and that tracks in the comics because of their background and bc tori assumed charlie knew, but not in the show bc they barely know each other and tori would essentially be outing him)

i hope hope HOPE we get a season 4 because tori and michael need and deserve a little more breathing room (and again, that's not a failure of this season at ALL, but solitaire not existing in tv verse DOES inform the way their joint storyline was written), and I want nothing more than a full season where they get to know each other better, learn about themselves and each other, and come out to the important people in their lives in their own terms ((and also I just honestly want a sprolden spinoff because I will always be first and foremost a sprolden shooter))

[r0semultiverse]

Digital Circus AMA Notes

Digital Circus is getting a season 1 at some point!!!!

#webcore aesthetic board for the series design

Pomni was going to be a frog originally. 🐸

90s toys Zooble inspo

Caine is an antagonist, but not by active choice, he doesn't know he's not helping. He doesn't feel a whole spectrum of human emotions (he's an AI).

"Caine canonically just lets things happen if he thinks it's funny."

Characters eat like Chao in Chao garden in Sonic. The characters can eat the food, but they can't digest it.

Jax's favorite food is spaghetti.

Pomni likes salmon.

Q "Was the ending a 'Last Supper' reference?" A "in a very superficial kinda way yeah." Religious stuff is sometimes just used for the funny.

Gooseworx tumblr sketches MAY or MAY NOT be canon to the series, so it's up in the air for every single one.

People can abstract from feeling too much pain if it breaks their mind from it being too much. Characters feel pain from things, but not as intensely as they would in real life.

Zooble is gonna swap parts every episode (implying they have spare parts) except their body & head.

Jax chose his own name & gooseworx likes to think he chose Gangle's name.

Ragatha was named "Emmy" originally.

They (the cast of characters trapped in the circus) can't change their clothes but Caine can. It's part of their skin sorta kinda.

There's empty space under Pomni's hat because video game model physics.

Spamton was partially inspo for Caine, Caine's VA did Spamton dubs.

Gangle only has 2 masks. Why's it (her hapiness mask) break all the time? Mental state, but the "real her" is "harder to break."

Kaumfo was gonna be part of the main cast originally before Jax.

Kaufmo's model has nothing below the waist at this time, but was made for that promotional image on twitter.

Q "What kinda person was Kaufmo?" A "He was the same as Ragatha in a sense, goofy & cheery, sometimes toxic levels of positivity."

I'm paraphrasing for the sake of note taking in real time, go watch the stream playback for more context & details if you want.

[meimeikyu]

the wonders tmagp is doing for my mental health should be studied

like having something im genuinely in love with and invested in to look forward to every week makes me keep doing every week

[ladyevol]

God, I love Scar so much and just how passionate he is about his own fanbase. He probably saw people freaking out on twitter about how he got sand and went 'you know what? I think I will keep this' despite the fact it is a pain to farm it and probably not the best monopoly for what he is going for in his base, all so that his fans could be happy that they have their silly little reference

[ageless-aislynn]

Nowwwwww, I facetiously mentioned at the bottom of this post about the Halo: Reach achievement:

To do that, you have to go under or close to par time on pretty much each level ON LEGENDARY.

I have beaten Reach on Legendary but it probably took me closer to 30 hours than 3 because I did my slow, methodical strategies to get through. I did the par time achievement by running past everything I could on Easy. Can I combine the two successfully?

I decided to give the first level "Winter Contingency" a try (after watching some Youtube vids on getting this achievement, of course 😉). Par time is 15 minutes.

That was my third try, the first was 16 and some minutes, the second got it to 15 and some and then that one got under the par by 32 seconds! I should note that this is considered one of the easiest levels to do on Legendary and the guide I watched by the ever-awesome Halo Completionist did it under 12 minutes and you're going to need every spare second you can scrap together to give you a buffer for some of the long, difficult levels. But still!

It's silly, I know, but I feel so proud of me! I'm an old lady (well, middle-aged, if I'm being generous 😜) playing Halo with shaky hands but I made under par time on Legendary! 🥳🥳🥳

PS - Tried it again and got 13:55!

[yepthatsacowalright]

"Like everyone else in the modern world, large parts of my life have become increasingly digital, sometimes against my will. The result is a very mixed bag. Some things have improved, and others have definitely degraded. I constantly wrestle with the balance of these changes, and I try to be mindful about them. But this is the hardest to do where it intersects with my work.

I’ll start with streaming. I did not come up on streaming. I’m in my 40s, so by the time I was buying music of my own it was the early 90s and I had cassette tapes. Then came the CD, then mp3 players, then streaming and cell phones. The last change has affected how I interact with music the most. Since streaming became the norm, I listen to music a lot less. I know my age is a factor here, but streaming has killed a lot of my desire to explore. I still love to hear new music, but I’m basically 100% recommendation based at this point. I never browse platforms like Spotify. In theory, having all of recorded music available at once, for a monthly fee that’s less than what a single album cost 30 years ago, would be a feeling of abundance, of infinite possibilities. But the actual result is just being overwhelmed. Sifting through hundreds of thousands of tracks that aren’t quite doing it for me just sounds exhausting. So I don’t use it very much. I can’t remember the last time I actively searched for new music on it. And passive things like algorithmic suggestions and playlists have not filled the gap.

I also work in music, so I’m always suspicious of how much that colors my opinion. But I feel the same way about film these days. I used to really stay on top of movies and shows. Since the streaming model has taken over, I have that same overwhelmed, agitated feeling I get from the music platforms. Scrolling through all those films and shows, with their auto-playing trailers and automated recommendations, just makes me turn the tv off. So I rely entirely on recommendations here, too, and I have no desire to explore.

It’s been strange watching former hobbies and sources of joy turn into chores, or even things I actively avoid. I realize that a lot of people will feel the exact opposite here, though. I don’t think this is unanimous by any means. But this is how it has turned out for me, and it has made what I do for a living feel really strange. Because I no longer enjoy these platforms very much as a user, releasing work has become increasingly dissonant. How do you make things for platforms you don’t personally enjoy? I’ve never had this issue before now. I liked buying albums. I liked going to record stores, where they had curated selections, and hunting for something that I wanted to take home with my very limited funds. So the idea of creating something that would be packaged as an album, that someone else might discover in a shop and decide to take home, was really motivating. It served as a mental model. And while I liked going to shows sometimes, they weren’t what made me want to write songs. I was all about records and the process of finding them. I cherished my tiny little collection, and the idea of being a part of someone else’s was really cool to me.

Watching a number occasionally go up on an app I personally try to avoid isn’t quite the same." - Ben Cooper/Radical Face's blog entry Investment Strategies [x]

[mikey-stardust-way]

The work I'm putting into this game JUST TO GET SOME CLIPS AND IMAGES is fucking insane honestly...

[oongist]

my threshold for finding a piece of media good is so low and i find no shame in that. if i have fun while i consume said media, it is good in my eyes.

[joyful-patient-faithful]

Local libraries getting rid of physical medias such as newspapers, magazines, cds, dvds, and audiobooks is turning experiencing art into a privilege instead of a right but I don't think you guys are ready for that conversation

[dunkarporshop]

He tries his best

[kuwdora]

The fraught experience of watching TV in a streaming entertainment economy.

I basically watch new TV with the expectation that current season I’m watching is going to be the last. That includes The Witcher Netflix, btw, but other shows, too. I get the feeling we’ve all sort of…come to this conclusion, right? We’re all so jaded because things get cancelled left and right. Nothing is safe. Nothing. :(

We all have to race to watch The Sandman or Shadow and Bone ASAP instead of enjoying a week-to-week drop. It’s exhausting. I don’t like feeling guilty when I don’t have the brain to watch things. I definitely have just streamed stuff in the background and watched it for real later, too.

Star Trek Prodigy on Paramount? Cancelled and pulled from the platform. People who purchased the rest of the season on Amazon never got the episodes because the rights were pulled. Star Trek is the flagship IP!!! And it STILL GOT CANCELLED. Even though it’s beautiful, and fucking brilliant and incredible television and had new episodes in the pipeline.

The other show I’m currently mourning is Moonhaven. I wrote about that show here. It was renewed for a second season! It’s an fascinating, atypical sci-fi TV premise with great leads and interesting worldbuilding and shooting locations in Ireland. And then AMC decided that they were not going to renew it. It’s similar what happened to Avenue 5 on HBO (Ave 5 was more of a Schroedinger’s Cancellation. It’s cancelled except maybe not? But it really is cancelled.)

A League of Their Own? Cancelled. Willow? Cancelled. The Dark Crystal: Age of Resistance? Sense8???? The list goes on and on. :(

I think for me it was in 2017 or 2018 that I really started internalizing this idea that none of my favorite, amazing shows were going to last. Santa Clarita Diet was axed by Netflix far too soon. Same with Altered Carbon. Those cancellations changed me, yeah…

I follow a lot of WGA writers on twitter and there’s been a lot of discussion happening about the Suits renaissance. Suits aired on the USA Network for 9 years with 16+ episodes/season. It’s been streaming on NBC’s Peacock platform for awhile and now has 8 seasons on Netflix. It’s currently the most-streamed show in Nielson’s history, something like over 2 billion minutes now. people are discovering it for the first time or coming back to it for a very happy rewatch.

This writer sums up the situation perfectly.

I also can’t track down the tweet where a writer was talking to a development executive at Peacock who admitted that they wouldn’t be able to get Suits made today.

Ugly Betty is another show that’s having a similar bump (thanks in part to Barbie, people catching up to how amazing America Ferrara is. Also watch Superstore!!) because people are looking for these longer shows that have character development and the longevity.

The only streaming platform I currently ‘trust’ with my vested TV interests is AppleTV. And I only trust them because I can see what kind of free reign they’re allowing their creatives to do with their shows. They’re specific and bold premises and commitment to characters and themes. Similar to Netflix in the early years. I doubt this will last much longer.

On Apple TV you’ve got incredible psychological thrillers like Severence and Silo happening. The musical comedy Schmiagdoon! too.

Ted Lasso got to have longer episodes and handed over showrunning duties to the lead actor with some questionable creative choices made in those seasons. It still got to complete the show on its own terms. Amazing.

Apple TV also has Mythic Quest which is a unique comedy in the streaming age.

It’s a workplace comedy about a fictionalized video game development company. Picture Ubisoft who also provides video game assets/interstitials for the show among other things. It’s Community meets Always Sunny in Philadelphia (features writers and actors from both). A comedy that examines toxic masculinity in a workplace, completely roasts the girlbloss tropes and the patriarchy. The main characters are really autistic and ADHD coded. The show is completely self-aware (at times painfully so).

But what sets Mythic Quest apart and what tells me Apple TV is letting creatives do their jobs: This show has Bottle Episodes! And flashback episodes that don’t feature any of the primary actors! But the episodes are still relevant to the the themes and character dynamics the show is exploring.

In a hyper-serialized streaming world where executives and product strategists are measuring engagement by minutes watched and how soon they watch, Apple TV is letting these folks make episodes you can watch out of order or skip. But they’re also episodes with high rewatchability. It’s a show with a ton of heart. Apple TV renews Mythic Quest ahead of a season premiere. It renews it for multiple seasons. I’ve found this commitment to the longevity of the show very heartening.

In the past I’ve fallen in love with shows that were irreverent, campy, self-aware comedies. All of these were ABC shows so I can’t even rail against the streaming model. But like Netflix shows they weren’t given enough time to reach a wider audience even though I think some of these definitely have Cult Acclaim by now. I showed up bright an early for most of these and my god. The cancellations stung so much. That pain just accumulated over the years. A precursor of what was to come. :(

Better Off Ted - 2009 show. Another workplace satire that was just ahead of it’s time in the way it showed us the gallows humor of being a cog in the capitalist system. Addressed sexism, racism and classism. Funny as hell. Portia di Rossi knew the fucking assignment and fucked its brains out with her performance. Maz Jobrani was only in like 5 or 6 episodes and he was SO GOOD. I made sure to see every local comedy show I could to see more of him once I saw him in Better off Ted. - currently streaming on Hulu

Galavant - 2014-2016 - a fantasy musical. Monty Python meets Princess Bride. Featuring creators and lyricists who worked on 90s Disney films. So fucking funny and cheeky and heartwarming and silly. The music is so GREAT. All my Witcher and Our Flag Meets Death friends need to check this one out if they need something new-to-them that is witty and light and heartfelt. - also streaming on Hulu

Don’t Trust the B— in Apt 23 - a 2012 show with Krysten Ritter!! Before she was Jessica Jones! This show has eccentric women characters and James van der Beek playing a fictionalized version of himself. This is a show that had so much potential and they aired everything out of order and and and and and and I loved it so much. - Hulu since this is again an ABC show. Vid Rec: Applause by elipie.

Selfie - JOHN CHO AND KAREN GILLAN! John Cho and Karen Gillan in a ROM COM. The screeching wails from fandom when this got cancelled. It was an amazing set-up, amazing chemistry. Funny, quirky. You could see the growth in both of the characters!! And! We Never! Got enough!! - seriously watch this on hulu if you can. John and Karen are AMAZING.

Every first season of Star Trek has been wobbly or had wobbily episodes that didn't work or actors were still getting to know their characters. Every first season. Including new Trek! The X-Files? Even rebooted again? I don’t think it would work. Heck, even if they made second reboot of Battlestar Galactica I’m not sure it’d last. FARSCAPE! Got cancelled! By SyFy! They (like Sense8 and Firefly and a few others) got to have a movie conclusion. But at what narrative cost?? The Expanse got cancelled and uncancelled. The Orville got cancelled and uncancelled. I can't get my hopes up about anything unless I know it's a "limited series" at the onset.

I'm exhausted and sad by the state of the industry. I hope the writers and actors get everything from the studios and we can see a shift back to the previous working models again. Better working conditions and pay and residuals.

So I'll eventually watch A League of Their Own and 1899 and I know I'm going to fucking love every moment that we got to have. And then mourn. And go dig up all the fanfic and vids and art that I can to get my fix.

I think for now I'm gonna join in the Suits rewatch cause I love the humor and the character growth and relationships are fantastic. I don't think I rewatched Suits or Ugly Betty since they aired.